Editorial work and other small, one-off projects like posters and ephemera. Some of these were sketches that didn’t make the final cut. Pictured above is a birthday flyer for art cooperative Espacio Estamos Bien hosted at W139 in Amsterdam.
Social media, printed matter and text for De Rest is Waanzin (The Rest is Madness), a solo exhibition by Maxim Preaux at The Box, Amsterdam.
Illustrations for a feature on the Swedish town of Kiruna in Brand, Sweden’s oldest anarchist journal. Made in collaboration with the issue’s guest designer/art director/visual editor Mika Kastner Johnson.
First image: Discussing huge earnings reports with Shira Ovide for the On Tech newsletter by The New York Times, art direction by Elana Schlenker and Alvaro Dominguez. Second image: explaining the false strength of stablecoins for the NYT Business desk, art direction by Molly Bedford.
First image: Diving into the hollowness of Andrew Yang’s platform for The Baffler, art direction by No Ideas. Second image: discussing the race to the cure for Bloomberg Businessweek, art direction by Albert Hicks IV.
A loose cigarette sold by Kardesler Groente en Fruit at PAGES art book fair, Geneva, printed with the corporate slogan of Philip Morris International.
Work for The Jewish Museum, NYC, unproduced following the US COVID-19 outbreak. Art and creative direction by Yeliz Secerli.
Illustrations for Go Name Yourself, a card game by A Hundred Monkeys. Direction by Out of Office.
Why the hot new startups will be camels, not unicorns, on Medium’s Marker. Art direction by Dora Godfrey.
Opining on wins and losses for labour in the midst of the COVID Pandemic, again for Marker with AD by Dora.
First image: a guide to ESG (environmental, social, and governance) investment for the guilty capitalist. (I personally wouldn't recommend relying on it for salvation). Second image: tracking the soon-to-be-frozen personal jets and yachts of Russian oligarchs early in the war in Ukraine. Both for Forbes, creative direction by Fernando Capeto.
In a special feature for Forbes, reminiscing on the social impacts of the “Blue Marble” image captured during the 1972 Apollo 17 mission, and the current time on the Doomsday Clock (a prediction of how close to the end of the world we are, which is given by, ironically, a line of atomic scientists starting with the inventors of the atomic bomb). Creative direction by Fernando Capeto.
Ranking staffing agencies for Forbes. Creative direction by Fernando Capeto.
Exploring techno-optimism for Hacking Finance. AD by Out of Office.
Weed labels for Gifted Curators, a D.C.-based gallery and dispensary. They cropped the Bernie Mac label to just his face, and the manager, my good friend, texted me “man, just make some shit people wanna buy.”